Linda Lucas Hardy, CPSA
Beginning Colored Pencil & Early Work

 

 

I plan to rephotograph some of these pieces, at least the ones I still have. I created this page a number of years ago and did not have thumbnail capability. Now that I do I'd like you to see my early work a little larger. Anyway, keep checking back and maybe I'll have it done the next time you visit....Linda 

Wind Farm

I think this was my first colored pencil 
piece done as a class project in 1992.

Wind Farm

My first colored pencil piece done
outside the classroom. (1993)

Wind Farm

"Portrait of a Live Model", a class
project done in 1993.

Wind Farm

I purchased this Walter Foster publication
which introduced me to burninshing. Up
until this time I was mainly coloring with
the colored pencils.

Wind Farm

After following the directions in the book,
I made my first attempt at burnishing
and using heavier pressure. (1993)

Wind Farm

My second attempt at burnishing and using
heavier pressure. Also an exercise in the
Walter Foster book. (1993)

Wind Farm

My first attempt at working from my
own photograph. Also done in 1993.

Wind Farm

This was my first large scale project. Some
of it is burnished but most of it is not. I learned
a great deal about colored pencils while working
on this portrait which was a study done from a
picture I found in a magazine. (1993)

Wind Farm

The entire surface of this one was burnished.
I decided I really liked the way it looked
compared to what I had been doing.  A study
also done from a picture I found in a magazine. 
(1993)

Wind Farm

"Kicking Bear"  - A study I did using
only black and white pencils. (1993)

Wind Farm

Every thing I'd been learning seemed to come together in this study.  What made the difference was my desire to learn and not being satisfied with what I'd done before. My mistakes taught me more than anything elseI did.

Wind Farm

I put the Portrait of a live model next
to the study of "Fancy Dancer" for comparison.
Everything up to this point was done in 1993
except for the drapery study.

Wind Farm

I started this portrait of my oldest daughter in 1993. Regretably I put it away along with my pencils for six years. One afternoon I decided to finish it, since that day I have not stopped.

Wind Farm

Our grandaughter Emma at her first birthday. She did not care about anything else but those baloons. I could not resist, I had to do her portrait. (2001)

Wind Farm

Knowing I had to stop getting my subject matter from copyrighted material I set up my first still life. I still have this one. I have no idea what kind of paper it's on.

Wind Farm

I cannot even believe this...I spent over 200 hours on this piece. I guess it's a good thing. I'm sure it had something  to do with my ability to do those plastic bags. If you are wondering it's a pine cone frozen in ice.

Wind Farm

I went to my first Colored Pencil meeting in Dec of 2000 and entered my first competition in 2001 with this piece.  It was accepted in the 9th International Colored Pencil Exhibition - San Francisco, CA.

Wind Farm

Friends...this piece stayed unfinished for a number of years. I changed several things from the original photograph.

Wind Farm

This is Robynne. This is the piece I was working on when I accidently discovered colored pencil would blend with a brush. I've been painting with a dry medium ever since. I'm not even sure what year it was.

Wind Farm

The only reason I did this piece is because I'd heard yellows were difficult. I've run in to quite a few things that were much more difficult but I had fun doing the piece.


 

Even though my techniques have changed considerably over the last 15 years  these last few pictures set the tone for the way I handle the pencils today. I placed the study of the Indian next to the "Portrait of a Live Model" so you could see the progress I made in one year just by sitting down and experimenting with the pencils.   Happy Penciling!
Linda

 

Page Eight: Representation
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